![]() Used properly, however, close chords like this weigh heavy on the heart, and both composers deftly utilize that musical heft. The lower rumbling notes, rich as they are in overtones, sound goopy and indistinct, whereas the upper registers ring out more clearly. If you own a piano, play a minor triad using extremely low notes then, do the same in a higher register. ![]() In my early composition classes, I was taught that close chords in those deep ranges sound muddled and should be used with caution. Now I think of the sixth symphony's final movement, which features low cello and contrabass chords. I also tend to use a lot of chords with close intervals for tension building as well."Īh yes-another musical idea I associate with Tchaikovksy. In 'Gateless,' for example, the piece is in five but the bass line for the B section is in three, so it ends up feeling really tense. "One thing I like to do for building tension is to have rhythmic elements that fight a bit. It also tends to add extra tension!" That's not Korb's only tool for instilling anxiety, however. "I thought a hint of 'math' would be in keeping with the computer-ey terminology of the game. "I knew I wanted to play with some non-standard time signatures early on," he says. With this track in mind, I got in contact with Korb to probe his musical mind, and asked him about this choice. Korb, however, eases the tension by moving from five beats per measure to three during the track's refrain. Most music we listen to is organized into twos, threes, and fours 5/4 meter has a different kind of lilt, and can be vaguely unsettling to listen to. In the Transistor track called "In Circles," Korb also uses the same meter to evoke tension, albeit a different flavor of it. Tchaikovsky's sixth uses this time signature in its second movement, which sounds like an off-kilter waltz in which the dancers keep forgetting a step. Korb's work and Tchaikovsky's are miles apart in terms of harmonic and melodic content, but they have some commonalities that struck me, and one commonality in particular stood out: the use of 5/4 meter. My favorite Tchaikovsky work, however, is his sixth symphony, known as the Pathétique, and it was this symphony I thought of when I recently listened to Darren Korb's Transistor soundtrack. His music is known even outside the concertgoing public there's a good chance, for instance, that you have heard his music written for the ballets The Nutcracker and Swan Lake, and his 1812 Overture remains among the most popular works ever composed. Pyotr Ilyich Tchaikovsky was one of the greats. A good composer knows how to meet your musical expectations a great composer knows how to subvert them.
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